the sheffield powerhouse that is denham audio have had an extremely busy few years crafting superb techno and ‘130 jungle’ rollers. their productions have been turning a lot of heads, landing releases on circular jaw, tessier-ashpool, grndwrk, tumble audio, heretic and addison groove’s new groove imprint in the short space of time since they debuted songs online in mid-2015. they show no sign of their workrate slowing this year with the boys presenting their “leighton buzzin’” ep on artifice this month.

‘fear eats the soul’ is the third release from sordid sound system on invisible inc. his previous two records ‘in a year of 13 moons’ and ‘lux exterior’ have been getting plays from the likes of andrew weatherall, manfredas, john talabot, idjut boys and thomas von party. describing ‘fear eats the soul’ as a concept ep made by four imaginary bands from detroit, new york, paris and munich, sordid sound system says: “i’m pissed off with passive aggressive shabby chic artisan boutiques besieging my studio and complaining about the noise, i’m pissed off with coked up yuppy hipsters in land rovers taking over my neighbourhood with fancy restaurants with names that sound like fucking law firms, i’m pissed off at the resurgence of the far right and creeping fascism, i’m pissed off with self sabotaging english and american voters and the neo liberal corporate elites that have pissed away opportunities and alienated them, i’m pissed off with modern recording technology creating a sea of homogenous unimaginative beige bullshit, and i’m really pissed off that my favourite drummer jaki leibezeit is dead, but apart from that it’s all good, enjoy the new record.”

sheffields thatmanmonkz is quite the sonic force to be reckoned with. with an impressive discography across the board, dropping his most recent album columbusing on delusions of grandeur in 2016 and running his own successful imprint shadeleaf, were very happy to welcome him to dirt crew and present his latest ep shade throw. kicking things off rough and ready in true detroit “hight tech jazz style,manna for poppa is a saxed up dance floor bomb ready for the taking. intrinsic divine, a sonically soaring breakbeat outing lightens the mood a little, think classic trip hop meets modern deep house. the cinematic string arrangement is accompanied by freestyle piano and licks of ad-libbed sax over a steady kitspace jam 2017 sees thatmanmonkz team up with new york citys clyde phalanx to create a pure psyched up space house outing. we can picture this one over a sun-drenched balearic scenery or deep in a dark and smokey basement somewhere. jazzy freestyle drums underpin a live guitar improvisation that gets truly nasty on this interplanetary journey. slow and sexy is the tempo for the closing track. evolver is a soulful disco burner reminiscent of idjut boys, grooving along with smooth rnb vocals and salacious keys while intoxicating strings lift the energy to pure cosmic goodness.

detroit house guests ist ein kollaboratives projekt, das adult. bereits in den frühen 2000ern erdacht hatten. analog der idee eines künstlerstipendiums, luden adult. unter der prämisse des gemeinsamen lebens und arbeitens verschiedene musiker für einen zeitraum von je drei wochen zu sich ins studio ein. das resultat ist ein album, das sie nicht zu unrecht ein anthropologisches klangexperiment nennen. das werk bietet kollaborationen mit einer ganzen reihe verschiedener künstler*innen, darunter douglas j mccarthy von nitzer ebb, michael gira von swans, shannon funchess von light asylum, robert aiki aubrey lowe alias lichens, der österreichischen thereministin dorit chrysler und der multidisziplinären künstlerin lun*na menoh. bis heute haben adult. auf verschiedenen labels wie ghostly international, thrill jockey und clone records, sowie ihrem eigenen label ersatz audio veröffentlicht. dazu gesellen sich remixe für künstler wie tuxedomoon, john foxx und den pet shop boys.
das doppel-vinyl erscheint inklusive downloadcode.

a mainstay in the underground house music scene for almost twenty years, joeski makes his next move on the mighty crosstown rebels with a sublime ‘tribute ep’ to the great divinity obatalá. the ep journeys through three tracks, where ethereal layers are used to infiltrate the dancefloor and varying tribal percussions, native chants and vocal haunts flow effortlessly throughout. from yoruba religion, obatalá is an orisha, sky father and creator of human bodies. joeski explains -i’ve been wanting to do this tribute for a while now. it’s a creative musical offering to obatalá. i feel like crosstown is the perfect home for it too.- joeski’s roots are in the underground house scene of nyc in the 90s, where he played regularly at historical clubs such as the limelight, tunnel, palladium and roxy. later establishing himself as a producer he began releasing music on nrk, siesta, shaboom, tango, junior boys own and many more. he also runs his successful label, maya records.

public releases hits the lab for some aural alchemy and to turn out its first release of 2017. a four-tracker from moscow’s phil gerus, scenes—or, in the producer’s native russian, &#1089,&#1094,&#1077,&#1085,&#1099,—manages to have a makeup that’s both peculiar and magnetic. the title’s a fitting one, every track feels like a vignette in a collection of short stories. separately, they’re self-contained, but a rich narrative arch is added when they’re sewn together. if there is a theme here, it’s of viewing the future through the dusty lens of the past, and each of the songs explores this in its own fashion. the kick-off, “ohashi sky garden,” starts as a hyped-up italo space epic, pumped full of swirling synth licks and sharp, tight drums, but it mutates into something completely its own when vocal samples (90s r&b?) and warm keys (prog rock rhodes?) enter. after the original’s brisk five minutes, the legendary richard sen—graffiti guy, breaks guy, house guy, disco guy, half-of-padded-cell guy—steps in to give it a trance-y tinge while doubling its runtime and adding a dancefloor-destroying hi-nrg coloration. the b begins with “naha swim,” a crunchy funk foot-stomper that might as well be an unreleased idjut boys or ray mang ditty dug up from the noid catacombs. fiery and furious, yet utterly cheeky. serving as a sort of coda to “naha” is “kiss of a kind,” a gerus take on 80s adult contemporary, replete with sleazy sax and sensual pads. a gentle nightcap to a zigzagging, antic 12-inch

last copies - nice price action !!
excellent relaxed / deep space disco (cosmic) with dubby flavour, vinyl is selected (unmixed) by junior boys

inwave is pleased to present its 8th vinyl only release, made up of the production by the villalobos-luciano boys felipe valenzuela, felipe venegas, dani casarano and the eclectic inwave homeboy producer niimm. journey through unique brand of melodious and elegant techno, minimal-house sounds delivered in a totaly underground and manner style, open to diverse sounds from around the globe- this wax is full of grooves. from italy to chile, to europe and beyond, this four tracker is going to win the hearts of open-minded djs and dancers alike... warm, trippy percussions and joyful, hypnotic vocal samples sure to bring smiles to every dancefloor.

ready for some disco?! here are two psychedelic, hypnotic and downright sleazy jams from dan ghenacia and the martinez brothers. designed to enter your mind, travel down your spine and get you movin’ oh so fine, these fresh cuts from the boys have been road tested all summer long and have been approved with a 100% success rate. the result of two jam sessions in a new york studio, this is an instant classic two-track slice of vinyl‘disco jam 1’ will have your backside bouncing like a basketball going beserk, a killer groove and ultra crisp beats settings things off nicely. ‘disco jam 2’ is a more ‘heads down’ and moody, but also works off a seriously addictive rhythm. two expertly produced dance floor cuts from a team of professionals, tried and tested around the globe throughout the summer season and now ready for you on a fresh slab of black gold. catch them if you can!

dj koze comes up to task for the next re-construction of michael mayer & joe goddards for you, following up from the re-interpretation by diynamics solomun and pachanga boys. the maverick of flawless productions develops two narratives for this remix package: the first is a club mix composed of layered, floor-raising chords while ruffling up the original vocals gradually and elegantly. the second is a mbira remix, filled with african-inspired percussive inklings and sprinkled with effortless melodic flourishes. with two accompanying instrumental versions, dj koze takes us to the final curtain, closing the end chapter to michael mayers acclaimed & project.

klyne first caught everybodys attention with their critically acclaimed debut paralyzed ep for aesop, as well as their maiden remix, a rework of disclosures omen feat. sam smith. water flow is their follow up to the acclaimed dont stop, their because music debut released earlier this year, its stunning video was directed by acclaimed choreographer and film maker holly blakey (florence and the machine, jungle, coldplay, young fathers) and is nominated for a uk music video award. the duo supported years & years and label mate christine and the queens on tour this year, and performed their first uk headline show for the sold out dummy presents because music event at the ace hotel, london in the summer. more shows will be announced shortly. vital sales points: mellow electronic pop thats like a long-lost cousin of jai paul- the fader infectious and effortless groove-laden soulful masterstrokes - vice / noisey minimalist vibes, captivating vocals impeccable melodies - pigeons & planes gorgeous electro-pop - spin more fire from the young dutch duo… the boys are off to a strong start - i-d

you never know what to expect from rue de plaisance’s releases.exploring different moods and always looking for special music. we are really excited to welcome the boys from frankfurt. developing their very own sound mostly on traffic records. martyné & jacob chenaux are on fire. it’s a pleasure to deep into their world with this amazing

nice price deal !!! nice price deal !!! nice price deal !!! the city of bologna (bolo for locals) has been always a crucial junction for the underground music scene in italy. over the last few years a small group of bad boys has started to fill the streets with a distinctive and modern interpretion of house music. we are here to represent that sound. we are bolo represent

a new year will come and we begin the first strike next year 17 with the tech whizkids federico molinari&#8203,, and alexis cabrera&#8203,,..!! federico was very diligent in 2016 with his releases -tran-c“ on point of view&#8203,,(002), -nais on ice“ on melisma&#8203,, ltd. (005) and with „congo toys“ apollonia&#8203,, label (021). alexis was also busy with his releases „bike seat ep“ on point of view (003), „mivi ep“ on fun records&#8203,, (002) and finally they will come up to epilog with the next bomb....-disco sauer“. that s why we are very happy to annouce them on epilog, the boys give us much love and respect with that incredible record! very honored that disco sauer will be their first collaborative release together since 2015 s la vueltica on raum...musik.&#8203,, what hit the ground...!

super music for super people. lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it’s guaranteed fresh to infinity and beyond, yeah!

as a sister companion release to -the wild life- career spanning greatest hits collection from visage we are pleased to also feature -the wild life (the best of extended versions and remixes - 1978 to 2015). it features tracks from the birth of visage in 1978 to the final tracks from steve strange and visage before his untimely death in 2015. long versions, extended intros, expanded middle sections, intricate breakdowns and alternative takes and remixes... something for all 80s music fans who prefer their music a little larger.

the coeo boys need no introduction anymore. their two last singles made it into the sets of so many djs. they are among the emerging artists of that new german scene of kids that make house music inspired by old jazz and funk records. the boys are mad about rare vinyl. and they love to make music with a positive spirit. yes, there is something sunny in their tracks. something that instantly makes you want to move. we heard so many mixtapes that started with a coeo track. makes sense: they are perfect to set a vibe. a good mood. but if you know that the coeo boys work in a studio over the roofs of munich, with a fantastic view over the lights of the city, with a great vibe where you see all the glammy colors of the light in the night then you understand why coeos music sounds as it sounds

incoming! adult only 46 is here and it’s another biggie. chris carrier’s trusty label always delivers the funk and this release is no exception. featuring rhythm&soul plus russian newcomers belogurov and orbit and the bossman carrier himself, it’s comprised four tracks, all with their own unique groove and atmosphere – perfect for anyone who loves deep rhythmic house music with hypnotic sensibilities. rhythm&soul takes one side of the record, the first of his tracks ‘take off’ comes in with sturdy beats pushes things along at a steady pace. his use of ‘live’ sounding percussion is evident throughout, working perfectly alongside a captivating double bass keeping things moving. if you manage to stay still while this is playing then there’s something wrong with you, utterly irresistible. the second track from the madrid-based producer is another upbeat joint. the deep bassline bounces up and down while razor sharp hats slice and dice their way through the lower end. as with most of rhythm&soul’s work, there are lots of nuances and details peppering the track, keeping it interesting from start to finish. on the flip side we have the russian boys belogurov and orbit, who deliver eight minutes of pleasure with ‘jysk’. smooth cosmic grooves rise up off this steaming hot, sensual cut. a naughty allure emanates from this track as it moves forward, subtle pads swirling in the background to suck you in and keep you locked to the groove. and to round things off, chris carrier delivers a typically eccentric roll out. subtle beats are placed over an analogue low end together with a selection of strange sounds direct from carrier’s well-equipped lab. variations in the rhythm and texture keep this one interesting all the way until the end.and there it is, another hot one from the adult only camp… strictly for over 18s!

the latest in cold busted’s 7” series – featuring previously digital-only cuts now enshrined on wax – comes from accomplished polish beat-maker emapea. known for his contributions to the iwymi and bust free compilations as well as his widely lauded album seeds, roots & fruits, emapea has been recently selected for inclusion in mark farina’s next mushroom jazz installment. so the time is ripe to get funky and fresh with this prime beat-maker’s new 7” single. this one goes out to the b-boys, as “b-boy stance” grooves with its ‘70s-style car chase guitar, feet-shuffling rhythms, horn splashes, and energetic vocal drops. every b-boy needs a solid b-side, and here you’ll find “b-boy theme”. this one transports the floor to a raucous block party complete with breakneck scratches and energetic drum loops, alongside ‘70s funk flourishes that’ll get any private dick – who’s a sex machine to all the chicks – quickly moving his hips.

this is a label that i have been meaning to start for years. however, with a possible twist of fate, it is the right time and the perfect body of music to be able to commit to vinyl. these are records that i am honoured to own and play out. a new label from bristol based artist, thrilogy (also known as lee pattison who previously recorded as deepgroove (rekids, cocoon, klang elektronik, junior boys own). expect -organic dusty sampling deep house and techno from bristol artists and friends further afield- and hand-drawn artwork by local artist anna higgie. thrilogy has previously recorded on wolf music, futureboogie and om records and look forward to an ep on omena with an exciting man power remix. also, ishmael finishes the year on a high, his debut album sometime in space (on church records) showcased the multi-instrumentalist s jazzy house cuts alongside peak time techno and chilling ambient pieces. since then ishmael has been touring his live show, as well as releasing some of the most inventive house music to come out of the uk.

this time we present you the golden goldffinch boys on the new fuse label on the more techno orientated side of things. four dark and haunting tracks which stand out of the flood of functional techno nowadays.

lutto lento makes a return to ftd to fulfil your wildest of wishes. as with most of his work, the ep draws influence from across the musical world and defines something of it’s own in the process. we’re all really pleased that there’s finally a saxophone solo on the label though.

in 2016, the festival in prora releases another vinyl, and this time it is a real tasty tidbit. the boys from kiel, mitja & daniel mes, who also played at this year’s festival, included their track „feel free“ on the record. this track is the beach-echo and a perfect medicine against the winter blues. the second track originates straight from the island rügen, produced by the well-known irie island crew and holds the name „rügen rockt“. the name speaks for itself and through the well harmonized dub-swing reggae vibes be sure to be grooved from north to south of the small island. the backside of the vinyl is a piece of handcrafted art. the very distinct tag am meer logo is engraved through the help of a special technique called: etched. this record does not only sound good, but it also looks amazing.

no one flips it like a-trak. his limited edition box set “in the loop: a decade of remixes” commemorates twelve of trizzy’s most notable remixes - from blog favorites to festival smashes - on six 7” colored vinyl singles (2x white, 2x blue, 2x black) in custom sleeves, all housed in a beautiful collectors box. the wax is accompanied by a 32 page booklet featuring original artwork and a-trak’s behind-the-scenes stories on each remix, making “in the loop” a must have for any fg fan, #realdjing enthusiast or forward-thinking music lover in your life.

re-edits of two paradise garage classics since sampled as house anthems in the 90 s by powerhouse and spiller, these edits exploit the energy of the loops whilst retaining the grooves of the originals. support from the likes of natasha kitty kat probert (ghetto disco - suncebeat), phil asher (restless soul), seamus haji (big love), terry farley (faith/junior boys own)

the original soundtrack from the acclaimed documentary 808, chronicling the revolution sparked by the iconic drum machine. double 12 inch vinyl in gatefold sleeve with download code included.

die neue lp-auflage des unvergessenen soundtracks erscheint vor dem für 2017 geplanten start der “twin peaks” fortsetzung im neuen deluxe-format. das 180g vinyl erscheint in remastered qualität in kaffeebrauner farbe und befindet sich in einem gatefold-sleeve, das wiederum von einem weiss lackierten, formschön ausgestanzten aussenschuber umgeben und mit einem obi strip komplettiert wird. das neue artwork wurde sowohl von regisseur david lynch, als auch vom komponisten angelo badalamenti freigegeben, letzterer steuert sogar neue sleeve notes bei.

munich duo coeo joins the rnt family with a pack of reworks destined for dance floor greatness! heretofore known for deep house goodness on lets play house and toy tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime like it is, to the disco house fury of long night ahead, to the best damn fela edit we ve ever heard

the boys are back on pleasure zone! modern electronic music from offenbach! we think it s the best one so far - well done!

the cd included in this vinyl edition features the 15 tracks in the same order. mr oizo (aka quentin dupieux), the french producer and pioneer of modern electro alongside daft punk, air and cassius simply can’t and won’t stop working. having released 5 studio albums, 4 osts, a multitude of eps and directed 6 movies over the past 20 years, the ‘godfather’ is back with a new album. and this time, he is not alone as the tracklist features an impressive selection of quality guests: peaches, boys noize, skrillex and charli xcx among others. this new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today.

released three years after stoned raiders movlp1727, latino hip hop group cypress hill returned in 2004 with their seventh studio album “till death do us part”. on this album they flirt with reggae, particularly on “what’s your number” sampling the clash’s “the guns of brixton” plus “ganja bus” featuring vocals from damian marley. “latin thugs” is a characteristic cypress hill latin-mariachi rap and b-real rocks with a clever cover of the beastie boys “paul revere” retitled “busted in the hood”. awarded with 4 stars out of 5 by rolling stone magazine, “till death do us reached #21 on the billboard 200 albums chart and #23 an the top r&b/hip-hop albums chart.
pressing on 180 gram audiophile vinyl.

(includes high-quality download in mp3, flac and more) typhonian highlife is the new moniker of spencer clark. clark is the ultimate shape shifter, a trickster continuously mutating from a sci-fi hero, into a mystic guru or into a speculative visionary.

rotterdam based 25 places are back on dirt crew with a bang! since their love more release in 2015 the boys have been hard at work and have just released an ep for chez damier on his prescription records sub label balance. the bounce begins with party in the hills hosting a huge kick, loopy rhodes, squelching bass, ragga flavoured vocal and squeaky lead, its straight up good times right from the get go. an infectious groove on this one! closing title song heads into deep soaring territory, its forward house beat and pulsing synth lead intertwine with loose tropical percussion and a rhapsodic horn hook. on the flip we have laurence guy who does not really need an introduction anymore, the man has been all over the place since this years releases on cin cin, outplay and the imminent church where he dropped two big eps bamboo and kojak. here he takes on the soulful deep chicago house of 25 places and turns it into a 90s breakbeat acid galore of ecstasy tingled uk house. 25 places wrap up the rave session with backyard stories, a raw and bouncing, bass face inducing jam. uplifting and dirty in one stroke, its thumping kick and feverous melodies make it impossible not to move.

the voodoo ep is nicks final contribution to 8bits 2016 catalogue, and its another banger for sure. turning to darker synths and forward rhythms, the label head once more put together secret dance weapons to take over floors worldwide. these bad boys are full of energy and charged with techno - let them dance!

double 12 inch vinyl box plus double cd and 48 page hardback book with essay and unseen photos from the fil set. original soundtrack recording from the 1976 sci-fi movie “the man who fell to earth”, starring david bowie.

original soundtrack recording from the 1976 sci-fi movie “the man who fell to earth”, starring david bowie.

following on from david morales appearance on the label earlier this year, rekids tap up shed and ryan elliott for a pair of percussive reimaginations. well known for remixes of the thompson twins, shawn christopher, clive griffin and the pet shop boys, morales red zone moniker was conceived during the def mix legends formative years at the renowned club sharing the same name. 50 weapons and monkeytowns shed adopts his head high alter ego for a remix that draws the originals vocals into the spotlight before planting thunderous kick drums beneath whilst dusty pads operate above. meanwhile, ostgut ton affiliate ryan elliott crafts a reimagination that incorporates breaky percussion, a rumbling low end and sweeping astral synths.

auf ulrich schnauss 5tem studio-album “no further ahead than today” regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die längst zu seinem markenzeichen geworden sind. diese sollten fans von künstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes für pop-künstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade für die decca-compilation “re:works” bachs “prelude in c” neu in szene gesetzt.
“no further ahead than today” ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stücke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer präsent. spätestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen überträgt.
die doppel-lp erscheint im klappcover inklusive downloadcode.

impulsive and intuitive hardware house & techno from vancouver duo minimal violence aka ashlee luk & lida p. the five tracks on night gym soundtrack urban landscapes, textured synths, heavy kicks, and dense polyrhythms come together to form the duo s own brand of outsider house. citing influence from both minimal synth and chicago house, night gym arrives hot off the heels of the duo s self titled ep on dublin based first second label which closely examined the intersections that lay between punk and techno. recorded in february/march 2016 in the duo s home studio, the instinctual nature of live work flow plays an important role in the duo s creative process. utilizing hardware (sh-101, tr-606/505/707, waldorf blofeld, juno-60, dx-21, mpc1000) in addition to sourced samples with final compositions compiled and manipulated in ableton, night gym is an example of the duo s diverse interests and collaborative nature. the duo recruited visual support from chicago based graphic designer kevin mccaughey of nonporous for the distinct imagery of night gym. as well he designed the poster that comes in the 12- and screen printed a limited run of long sleeve t-shirts available through boot boys biz.

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90’s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that’s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

correspondant can finally reveal the release of the remixes for man powers debut lp, which was released last year on correspondant. a year in the making, the remix package features artists and friends hand-picked by both jennifer cardini and man power himself. disco halals moscoman remixes the baggy splendour of beilsteiner, creating a rolling and belching extended opus more focused toward the peak time dance floor. hivern discs jmii takes hunting swan and turns it inside out, exploring space with a cerebral, schizophrenic quality. alternatively, pale blue (mike simonetti) takes boys beware and re-imagines it as an aggressive drum workout. completing the package, suade, the artist who also mastered the original album, replaces ten’s balearic leanings with an idm sensibility, yet still retains the optimism of the original track. all 4 remixes manage to exist as distinct works in their own right, while paying homage to the magpie approach of the original long player.

2016 repress on solid black vinyl ** 4 superb pieces of deep, underground house vibes straight out of grodno. by now - four walls & funkyjaws perhaps need little introduction to you. coming off the heels of their smash hit release * one night in grodno* the belarus boys return to us with the follow up release simply titled * another night in grodno*. the recipe stays the same - four deep, underground house joints crafted with love and precise execution. giving you more of what you came here for!

brian auger, the london born keyboard genius & musical pioneer, lauded and loved by everybody from herbie hancock to mose allison, from the brand new heavies to the beastie boys, whose tracks have been sampled by mos def, common, air and kid loco, and his original compositions covered by sarah vaughan, richard groove holmes and he is the proud recipient of a us congressional award for services to jazz!
back to the beginning..again is a fantastic collection that demonstrates why brian auger is considered legendary.

an all-instrumental journey through numerous genre-crossing worlds. features members of antibalas (daptone records) and beastie boys’ synth master money mark. coke bottle clear vinyl, limited to 500 copies. les yper sound presents an all-instrumental journey through the many worlds of drums and saxophones. in early 2016, new york session musicians miles arntzen and jas walton—who both currently play in afrobeat ensemble antibalas—began experimenting with their respective instruments in miles’s greenwich village basement. they composed demos that were made up of miles’s percussion, jas’s woodwinds, and the sounds of everyday objects

back in 2015 our bearded dirtybird player, will clarke, needed a secret weapon for some of his festival gigs for the summer. he sampled the ghetto house legend, dj funk, who made an appearance on dirtybird back in 2013 for the kill frenzy smash, “make that booty clap”. will passed it on to the rest of the dirtybird crew, and before we knew it the track took a life of it’s own and quickly became one of the most requested tracks, even to this day. will ended up linking with dj funk himself, and they turned what was a quick bootleg into a full blown collaboration. ladies & gentlemen, “booty percolatin’” is officially here. for the flip side, we added will’s solo effort “house girl”, a bumpin’ ride with a contagious bassline and chanting vocals for all the ‘house boys’ and ‘house girls”

there’s a new (or old?) family of funk in town and their history is kind of a mystery. rumor has it the le’trells came close, but never were able to secure a record deal in their time. curious and unable to locate any master tapes, it took a younger generation of le trell boys to breath life back into the grooves and deliver an modern update to that which never was. on the one is sure to be a modern funk anthem certified floor filler already making the rounds in chicago, nyc, detroit and la with a moody sax filled b side that hits just as hard in the club as it does in the whip! heres to hoping the le trell boys prayers are finally answered!

das zweite album der britisch-norwegischen pop-singer/songwriterin sasha siem wurde von valgeir sigurdsson (sigur ros, feist, björk) in seinen legendären green house studios in island produziert und folgt ihrem letztjährigen debütalbum most of the boys, für das sie von der musikpresse mit acts wie fiona apple, joanna newsom oder andrew bird verglichen wurde. die cd enthält 10 tracks. die lp enthält 5 key-tracks plus 5 exklusive remixes des texanischen elektronikproduzenten rabit.

after their initial 7- back in 2015 the boys have been riding high, riding low and put together 2 more tracks of west coast psychedelic blue eyed soul... galloping percussion ride through tear it down while the harmonies build around the lead vocal that is backed by a wonder rhodes accompaniment that takes on a life of its own and the track builds to crescendo before opening up and allowing the vocal to come back for a final outing... ‘sugar rush is a more downtempo number, tripped out vocals of acid adventures and wonderful big strings to create a trip through mustard yellow fields, purple skies and forests of candy green trees... the flip side see s the cosmic capers of dan wainwright twist sugar rush into a 9 minute epic trip designed for the dance floor

the adventure continues with our second understate:ment brought to you by frankfurt boys, marc philipp & nils weimann with a reshape made by sebastian werle from mannheim, germany.